Lifeboat Foundation

Responsible AI will depend on human beings being able to protect their identities. In order to achieve that, we need four things:

Critics will try to muddy the waters by raising supposed implications for news reporting or parodies. And any proposed legislation should expressly acknowledge the First Amendment’s broad protections — while also forbidding serious harms that fall outside them. As always, the music community will stand up for freedom of speech.

I am excited to see what the future holds; it’s a road we need to travel thoughtfully but swiftly. Ultimately, the question isn’t where AI is taking humanity, it’s where humanity will take AI. Together, we share in that opportunity and responsibility.

Continue reading “Four rules to make artificial intelligence work for humans” »

Shane Guffogg is an artist with synesthesia and says he hears colors when he paints. He said AI helped him “unlock the musicality” in his work.

In order to terraform new planets, we will need to be able transport entire ecologies & ecosystems through interstellar space in the future. Today we will examine how we could build and maintain such environments inside vast arks, generations ships able to colonize our galaxy, and the challenges these starships will face maintaining not just stores of DNA and genetic material but living organisms which depend heavily on other members of their species and other species to survive and thrive, not least of which is human ourselves. Visit our sponsor, Brilliant: https://brilliant.org/IsaacArthur/ Join this channel to get access to perks: / @isaacarthursfia Visit our Website: http://www.isaacarthur.net Join Nebula: https://go.nebula.tv/isaacarthur Support us on Patreon: / isaacarthur Support us on Subscribestar: https://www.subscribestar.com/isaac-a… Group: / 1,583,992,725,237,264 Reddit: / isaacarthur Twitter: / isaac_a_arthur on Twitter and RT our future content. SFIA Discord Server: / discord Listen or Download the audio of this episode from Soundcloud: Episode’s Audio-only version: / exporting-earth Episode’s Narration-only version: / exporting-earth-ships-narration-only Credits: Exporting Earth Episode 150, Season 4 E36 Writers: Isaac Arthur Editors: Darius Said Gregory Leal https://www.gregschool.org/ Jerry Guern Konstantin Sokerin Laura Graham Mark Warburton Matthew Acker Sigmund Kopperud Stuart Graham https://beyondnerva.wordpress.com Producer: Isaac Arthur Cover Artist: Jakub Grygier https://www.artstation.com/jakub_grygier Graphics Team: Darth Biomech https://www.artstation.com/darth_biomech Fishy Tree https://www.deviantart.com/fishytree/ Jarred Eagley Jeremy Jozwik https://www.artstation.com/zeuxis_of_… Katie Byrne Ken York / ydvisual Krisitijan Tavcar https://www.miragedereve.com LegionTech Studios Sam McNamara Sergio Boterio https://www.artstation.com/sboterod?f… Narrator: Isaac Arthur Music Manager: Luca DeRosa — [email protected] Music: Dracovallis, “Golden Meadows” https://dracovallis.bandcamp.com/ NJ Mandaville, “Intrumental Background 1” / nj-mandaville Kevin Macleod, “Infinite Wonder” / @incompetech_kmac Chris Zabriskie, “Candlepower” http://chriszabriskie.com Kai Engel, “Endless Story About Sun and Moon” https://www.kai-engel.com/ Lombus, “Amino” https://lombus.bandcamp.com Aerium, “Windmill Forests” / @officialaerium Epic Mountain, “Rising Sky” / epicmountain.

The galaxy is a vast place with billions of potential new worlds for humanity to colonize, but interstellar space is so enormous that reaching even the nearest stars and planets by spaceship would take decades at best, and maybe many centuries. Even on arrival terraforming those barren planets would take just as long.

Two options for overcoming the immensity of space and time are the Seed Ship and the Data Ship, automated vessels able to colonize the worlds for us. We will examine those today, their advantages, limitations, and misconceptions, and variations of them we might use to seed the stars.
Join this channel to get access to perks: / @isaacarthursfia.
Visit our Website: http://www.isaacarthur.net.
Join Nebula: https://go.nebula.tv/isaacarthur.
Support us on Patreon: / isaacarthur.
Support us on Subscribestar: https://www.subscribestar.com/isaac-a… Group: / 1,583,992,725,237,264 Reddit: / isaacarthur Twitter: / isaac_a_arthur on Twitter and RT our future content. SFIA Discord Server: / discord Listen or Download the audio of this episode from Soundcloud: Episode’s Audio-only version: / seeding-the-stars Episode’s Narration-only version: / seeding-the-stars-narration-only Credits: Seeding the Stars Episode 166, Season 4 E52 Writers: Isaac Arthur Editors: Alex Chamak A.T. Long Cooper de Ruiter D. Hemanshi Daniel McNamara Darius Said Edward Nardella Evan Schultheis Keith Blockus Mark Warburton Matthew Acker Safia Postgate Stuart Graham https://beyondnerva.wordpress.com Sigmund Kopperud Producer: Isaac Arthur Cover Artist: Jakub Grygier https://www.artstation.com/jakub_grygier Graphics Team: Bryan Versteeg http://spacehabs.com Darth Biomech https://www.artstation.com/darth_biomech Fishy Tree https://www.deviantart.com/fishytree/ Jarred Eagley Jeremy Jozwik https://www.artstation.com/zeuxis_of_… Justin Dixon LegionTech Studios Mihail Yordanov Sam McNamara Serigio Botero https://www.artstation.com/sboterod?f… SpaceResourcesCGI Audio Editing Eric Schneider Narrator: Isaac Arthur Music Manager: Luca DeRosa — [email protected] Music: Markus Junnikkala, “Plotting a Course” https://www.markusjunnikkala.com/ Paradox Interactive, Andreas Waldetoft, “Dark Minds” https://www.paradoxplaza.com Lombus, “Hydrogen Sonata” https://lombus.bandcamp.com Paradox Interactive, “In Search of Life” https://www.paradoxplaza.com Serena Elis, “Between the Space” / serenaelis Taras Harkavyi, “Alpha-and-…” https://www.discogs.com/artist/625697… Paradox Interactive, Andreas Waldetoft, “The Birth of a Star” https://www.paradoxplaza.com Ayreon, “The Theory of Everything, Part 1″ / @arjenalucassen.
Facebook Group: / 1583992725237264
Reddit: / isaacarthur.
Twitter: / isaac_a_arthur on Twitter and RT our future content.
SFIA Discord Server: / discord.

Continue reading “Seeding the Stars” »

The “it” Mr Woodman is referring to is Sora, a new text-to-video AI model from OpenAI, the artificial intelligence research organisation behind viral chatbot ChatGPT.

Instead of using their broad technical skills in filmmaking, such as animation, to overcome obstacles in the process, Mr Woodman and his team relied only on the model to generate footage for them, shot by shot.

“We just continued generating and it was almost like post-production and production in the same breath,” says Patrick Cederberg, who also worked on the project.

The streaming audio giant’s suite of recommendation tools has grown over the years: Spotify Home feed, Discover Weekly, Blend, Daylist, and Made for You Mixes. And in recent years, there have been signs that it is working. According to data released by Spotify at its 2022 Investor Day, artist discoveries every month on Spotify had reached 22 billion, up from 10 billion in 2018, “and we’re nowhere near done,” the company stated at that time.

Over the past decade or more, Spotify has been investing in AI and, in particular, in machine learning. Its recently launched AI DJ may be its biggest bet yet that technology will allow subscribers to better personalize listening sessions and discover new music. The AI DJ mimics the vibe of radio by announcing the names of songs and lead-in to tracks, something aimed in part to help ease listeners into extending out of their comfort zones. An existing pain point for AI algorithms — which can be excellent at giving listeners what it knows they already like — is anticipating when you want to break out of that comfort zone.

Gateways between stars, wormholes through the fabric of reality, but could these be real, and if so, what would the civilizations using them be like?
Watch my exclusive video Galactic Beacons: https://nebula.tv/videos/isaacarthur–…
Get Nebula using my link for 40% off an annual subscription: https://go.nebula.tv/isaacarthur.

Join this channel to get access to perks:
/ @isaacarthursfia.
Visit our Website: http://www.isaacarthur.net.
Join Nebula: https://go.nebula.tv/isaacarthur.
Support us on Patreon: / isaacarthur.
Support us on Subscribestar: https://www.subscribestar.com/isaac-a…
Facebook Group: / 1583992725237264
Reddit: / isaacarthur.
Twitter: / isaac_a_arthur on Twitter and RT our future content.
SFIA Discord Server: / discord.

Continue reading “Stargates: We are fascinated by portals between worlds” »

Artificial Intelligence is making its presence felt in thousands of different ways. It helps scientists make sense of vast troves of data; it helps detect financial fraud; it drives our cars; it feeds us music suggestions; its chatbots drive us crazy. And it’s only getting started.

Are we capable of understanding how quickly AI will continue to develop? And if the answer is no, does that constitute the Great Filter?

The Fermi Paradox is the discrepancy between the apparent high likelihood of advanced civilizations existing and the total lack of evidence that they do exist. Many solutions have been proposed for why the discrepancy exists. One of the ideas is the ‘Great Filter.’

Researchers are developing a technique that uses the special synchrotron X-ray light from the Swiss Light Source SLS to non-destructively digitize recordings from high-value historic audio tapes—including treasures from the Montreux Jazz Festival archive, such as a rare recording of the King of the Blues, B.B. King.

Magnetic tapes have almost completely disappeared from our lives and now only enjoy a nostalgic niche existence. However, significant quantities of these analog magnetic media are still stored in the archives of sound studios, radio and TV stations, museums, and private collections worldwide. Digitizing these tapes is an ongoing challenge as well as a race against time, as the tapes degrade and eventually become unplayable.

Sebastian Gliga, physicist at PSI and expert in nanomagnetism, and his team are developing a method to non-destructively digitize degraded audio tapes in the highest quality using X-ray light. To achieve this goal, they have been collaborating with the Swiss National Sound Archives, which has produced custom-made reference recordings and provided audio engineering know-how. Now, a partnership with the Montreux Jazz Digital Project will help to further develop and test the method.