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TIME magazine’s latest issue is a special report on the rapid explosion of drones in our culture. For the cover photo, TIME recreated its iconic logo and red border using 958 illuminated drones hovering in the sky. It’s the first-ever TIME cover captured with a camera drone.

To create the photo, TIME partnered with Intel’s Drone Light Show team (which creates beautiful sky displays using hundreds of drones at a time) and Astraeus Aerial Cinema Systems to fly and capture (respectively) the 958 drones above Folsom, California (where Intel has a campus).

The project was one of the biggest drone shows ever done in the United States — it’s a display measuring 100 meters (~328 feet) tall:

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Efforts to connect human brains to computers have taken big leaps forward in recent years. Melding our minds with machines could provide the biggest single upgrade to human intelligence since our species evolved. But are we ready?

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The technical skills of programmer John Carmack helped create the 3D world of Doom, the first-person shooter that took over the world 25 years ago. But it was level designers like John Romero and American McGee that made the game fun to play. Level designers that, today, might find their jobs threatened by the ever-growing capabilities of artificial intelligence.

One of the many reasons Doom became so incredibly popular was that id Software made tools available that let anyone create their own levels for the game, resulting in thousands of free ways to add to its replay value. First-person 3D games and their level design have advanced by leaps and bounds since the original Doom’s release, but the sheer volume of user-created content made it the ideal game for training an AI to create its own levels.

Researchers at the Politecnico di Milano university in Italy created a generative adversarial network for the task, which essentially uses two artificially intelligent algorithms working against each other to optimise the overall results. One algorithm was fed thousands of Doom levels which it analysed for criteria like overall size, enemy placement, and the number of rooms. It then used what it learned to generate its own original Doom levels.

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Yamaha today announced the ninth generation of its enthusiast-focused Aventage Series of AV receivers.

Ranging in price from $600 to $2,200, the new RX-A 80 Series comprises six models slated for roll-out between May and July, three of which employ artificial intelligence to achieve a “clearer, more engaging listening experience.”

Yamaha says its new Surround: AI technology analyzes audio characteristics such as dialogue, sound effects, and channel balance in real-time, compares the data to a reference database of movie scenes, and makes adjustments to enhance the sound field. Potential enhancements include making dialogue more intelligible in scenes with a lot of background noise. The feature is offered on the three top models, all due out in July: the 7.2-channel RX-A1080 ($1,300), 9.2-channel RX-A2080 ($1,700), and 9.2-channel RX-A3080 ($2,200).

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The scene in a normally quiet neighborhood on Hawaii’s Big Island is like something out of an overwrought disaster movie: volcanic fissures have opened up, spraying smoke and hot lava in the air where just last week there was a road and people’s backyards.

On Friday morning, Hawaii County Mayor Harry Kim told reporters that two homes have been destroyed by the lava.

Eruptions began in the rift zone to the east of the Kilauea volcano Thursday, prompting evacuations of the Leilani Estates and Lanipuna Gardens subdivisions in Puna on the island’s southeastern corner.

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What do you get when you mix science fiction with music and some of the most powerful and important social issues to date? You get Janelle Monáe’s highly anticipated short film (or as Monáe astutely calls it ‘Emotion Picture’) Dirty Computer, which accompanied her new album by the same name.


A futuristic celebration of queer love, black and female power, and the nonconforming individual identity!

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Tour the ISS to catch up with the astronauts and hear their testimonials about what it feels like to watch Earth from space every day.

The National Geographic Channel has one major treat coming up for its viewers, reports Space.com.

Channel officials have disclosed the tantalizing news that they have made the first 3D Virtual Reality (VR) film ever shot in space.

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