The first 2 minutes includes the best layman description of how ChapGPT works that I’ve heard yet:
Ready to blast off into a new world of gaming? In this exciting video, we’re taking AI to the next level as we install ChatGPT as a co-pilot in my SimPit game station. But this isn’t just your average AI installation — get ready for a hilarious space adventure as we explore the ups and downs of integrating ChatGPT into our gaming setup.
But before we launch into the fun, we’ll start by demystifying web APIs and explaining what AI is all about. Then, it’s time to dive into the installation process and see just how “easy” it is to set up ChatGPT as your very own AI co-pilot. You’ll learn all about the web APIs used to connect ChatGPT to your SimPit and get a firsthand look at the benefits of having an AI co-pilot by your side during gameplay.
But wait, there’s more! As we embark on our space adventure, things start to get a little… interesting. ChatGPT goes rogue, taking us on a wild ride through the galaxy as we try to keep up with its antics. From malfunctioning code to unexpected encounters with alien life, you won’t want to miss a single moment of this thrilling journey.
So what are you waiting for? Strap in and get ready for an AI installation experience like no other. Join us on our spaceship AI adventure and discover the fun side of web APIs and artificial intelligence!
Universal Pictures presents the debut title in the Universal Pictures Film Music Classics Collection — the world premiere release of renowned composer Michel Colombier’s (UNE CHAMBRE EN VILLE, AGAINST ALL ODDS, RUTHLESS PEOPLE, THE GOLDEN CHILD) original motion picture score to the 1970 classic sci-fi feature film COLOSSUS: THE FORBIN PROJECT, starring Eric Braeden, Susan Clark and Gordon Pinsent, and directed by Joseph Sargent. Never before officially available in any format, Colombier’s wildly inventive score finally gets the deluxe treatment it deserves. It’s a musical marvel, and key to the film’s unending cult status, as it expertly balances cold suspense and unrelenting dread with moving emotion and even romance. The music program of this release was produced, mixed into stereo from 3-channel split elements, and mastered by Mike Matessino.
I propose to consider the question, ‘Can machines think?’ This should begin with definitions of the meaning of the terms ‘machine’ and ‘think’. The definitions might be framed so as to reflect so far as possible the normal use of the words, but this attitude is dangerous. If the meaning of the words ‘machine’ and ‘think’ are to be found by examining how they are commonly used it is difficult to escape the conclusion that the meaning and the answer to the question, ‘Can machines think?’ is to be sought in a statistical survey such as a Gallup poll. But this is absurd. Instead of attempting such a definition I shall replace the question by another, which is closely related to it and is expressed in relatively unambiguous words.
C: Will X please tell me the length of his or her hair? Now suppose X is actually A, then A must answer. It is A’s object in the game to try and cause C to make the wrong identification. His answer might therefore be.
Bigger isn’t always better, but when the Looking Glass Factory announces a beast of a holographic display, it tickles our rods, cones and curiosity equally. The screen doesn’t require glasses or other tech to view the effects. Viewable by groups of 50 people, the display generates up to 100 different perspectives of 3D content from 100 million points of light every 60th of a second.
The company claims its 8K-resolution, 65-inch display is five times larger than any other 3D holo display ever shown off. The new display is “group viewable,” meaning that it differs from a lot of the other offerings out there that can be seen by only one person at a time. The company highlights marketing, engineering and design-forward applications as possible uses. The new display is the fourth display in Looking Glass Factory’s growing (geddit?!) lineup.
Springbok Entertainment is one of the first companies out of the gate using the tech, premiering its new film Zanzibar: Trouble in Paradise on the display at the Tribeca Film Festival. Looking Glass notes that this is the first holographic movie on display at Tribeca.
Disclaimed: None of it is real. It’s just a movie, made mostly with AI, which took care of writing the script, creating the concept art, generating all the voices, and participating in some creative decisions. The AI-generated voices used in this film do not reflect the opinions and thoughts of their original owners. This short film was created as a demonstration to showcase the potential of AI in filmmaking.
Called it. game building got too expensive to be done by people. will be taken over 100% by AI around 2029/2030. expect about 5 years of pure crap between now and change over:
Gamemaking is especially laborious—and especially ripe for automation | Business.
Facebook Gaming, a division of Meta, has announced that you can now play games during video calls on Messenger. At launch, there are 14 free-to-play game available in Messenger video calls on iOS, Android and the web. The games include popular titles like Words With Friends, Card Wars, Exploding Kittens and Mini Gold FRVR.
To access the games, you need to start a video call on Messenger and tap the group mode button in the center, then tap on the “Play” icon. From there, you can browse through the games library. The company notes that there must be two or more people in your call to play games.
“Facebook Gaming is excited to announce that you can now play your favorite games during video calls on Messenger,” the company wrote in a blog post. “This new, shared experience in Messenger makes it easy to play games with friends and family while in a video call, allowing you to deepen connections with friends and family by engaging in conversations and gameplay at the same time.”
Classic Drama Movie: A Boy and His Dog — A young man and his telepathic dog wander through a post-apocalyptic wasteland.
A Boy and His Dog (1975) Director: L.Q. Jones. Writers: L.Q. Jones(screenplay), Harlan Ellison(novella), Wayne Cruseturner(uncredited) Stars: Don Johnson, Jason Robards, Susanne Benton. Genre: Comedy, Drama, Sci-Fi, Thriller. Country: United States. Language: English. Release Date: March 1975 (USA) Duration: 86 min. Filming locations: Coyote Dry Lake, California, USA
Storyline: A post-apocalyptic tale based on a novella by Harlan Ellison. A boy communicates telepathically with his dog as they scavenge for food and sex, and they stumble into an underground society where the old society is preserved. The daughter of one of the leaders of the community seduces and lures him below, where the citizens have become unable to reproduce because of being underground so long. They use him for impregnation purposes, and then plan to be rid of him.
Reviews: “A frank tale about a recklessly horny boy and his calculative dog sums up this strange, very strange Sci-fi post-apocalyptic wasteland adventure yarn. It’s a unique product of the 70s, as it’s ambitious, daring and warped in its mind-set that makes this considerably low-budget effort a hypnotic cult item that nothing else would even come close to it. Based upon a novel by Harlan Ellison, the premise follows that of a young loner Vic (splendidly performed by Don Johnson) and his telepathic pooch Blood (exceptionally voiced by Tim McIntire) travelling the desert landscapes caused by the after-effects of WWIV in the search of food, shelter and women.
What goes on to make this film is the biting conversations and budding rapport and dependable friendship between Vic and Blood. It ranged from hysterical to moving, and surprisingly done in a believable manner. The satirical edge to the script is innovatively penned and to the point with its drama, frictions and kinky fixations. Sometimes quite unpleasant in the details where a quirky side is etched and the humour is engraved with a morbid sense of curiosity. While slow-grinding, the pace breezes by and the impulsively random nature helps a lot with a shock ending (twisted but still quite touching though) that comes from nowhere. Director LQ Jones’ economical touch makes the most of it limited resources and manages to get plenty out of it despite the minor feel. His use of the camera provocatively achieved and the humming electronic score and playful acoustic cues cement an atmosphere and grow upon the imagination. Mainly consisting in the underground scenes, than on the openly isolated and dusty desert backdrop.
The support cast are picture-perfect in their roles. Susanne Benton shines and likes of Jason Robards, Charles McGraw and Alvy Moore were good fun.
Do we live in a multiverses or a cyclic universe? Most cosmologists today accept the universe underwent a very rapid period of expansion called inflation. But inflation seems to lead to an infinite multiverse. Not everyone is happy with this multiverse ; and some cosmologists have sought alternatives to inflation. These alternative schemes are often cyclic. The chief proponent of one such cyclic model is 2020 Nobel Prize Winner Sir Roger Penrose. In this video the father of inflation Alan Guth and Sir Roger discuss the pros and cons of the inflationary multiverse versus Sir Roger’s Conformal Cyclic Universe. We highly recommend watching our film on eternal inflation with Alan Guth and colleagues.
and our film on CCC with Roger Penrose and colleagues. https://www.youtube.com/watch?v=FVDJJVoTx7s. and other films in our Before the Big Bang Series which features Stephen Hawking, Alex Vilenkin and others.
