Edited by Rob Appleby and Connie Potter (Comma Press)

IN The Ogre, the Monk and the Maiden, Margaret Drabble’s ingenious story for the new sci-fi anthology Collision, a character called Jaz works on “the interface of language and quantum physics”. Jaz’s speciality is “the speaking of the inexpressible”. Science fiction authors have long grappled with translating cutting-edge research – much of it grounded in what Drabble calls “the Esperanto of Equations” – into everyday language and engaging plots.